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He got magazines like National Geographic and Reader’s Digest. Rather, he encouraged us to engage in outdoor activities, reading and the fine arts. And even though dad was kadak (disciplinarian) there was no pressure on us to be A-graders. It was not like you’ll get everything in the toy shop. My parents pampered us but never spoilt us. Dad would drive us to school in Worli in his Chevrolet. When our house was being painted, we shifted to our Juhu bungalow for a while. Our childhood was spent in a bungalow at Worli Seaface.
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We’d visit churches, dargahs, mandirs and synagogues. Basically, we’ve been brought up in all faiths. She was later renamed Gayatri according to her kundli. An Anglo-Indian, her original name was Jennifer. The romance blossomed and they got married (during the 60s). She was an airhostess and they met on a flight. He’d keep playing Aye dil-e-nadaan (Razia Sultan) and the valley reverberated with the melody.įor dad, the most beautiful woman in the world was my mother. Friends from Kolkata, Delhi, Mumbai and Gulmarg trooped in - around 200 people. I remember I was 14, when dad threw a party to celebrate mom’s birthday. We’d play golf, go horse riding or play table tennis during the day. There would be a stopover in Srinagar and then we’d proceed to Gulmarg and Pahalgam where we stayed in a log house.
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I also vividly remember the two-and-half-month long summer vacations that we - Amma (mother Gayatri), Abba (I also called dad, papa or bauji), my younger brother Panini and sister Vastavikta - enjoyed in Kashmir, year after year, right up till 1987. My first memory of my father was when I was a couple of years old - leaping from my mother’s arms into his. They don’t make stars like him anymore,” says Purru, as he goes into flashback mode. “My father may have been bizarre but he was never boring. “My father was a moonh phat (outspoken) though I’ve no clue about this incident with Prakashji. On another occasion, he supposedly told Zeenat Aman that after Satyam Shivam Sundaram it was difficult to recognise her with her clothes on. For instance, he allegedly refused Prakash Mehra’s Zanjeer because he didn’t like ‘the director’s face’. If the paparazzi went berserk shooting him in brocade shirts and outlandish footwear, the media had several stories about his unapologetic (and often embarrassing) run-ins with his peers. Just as forceful were his on-screen portrayals in over a 100 films like Mother India, Waqt, Heer Ranjha, Saudagar and Tiranga, his off-screen persona was as quirky, be it his wacky fashion sense or outspokenness. Born as Kulbhushan Pandit in Loralai, Balochistan (now in Pakistan) into a Kashmiri Pandit family, he could write and speak Urdu,” comments son and actor Purru Raaj Kumar on his father’s formidable dialogue delivery famously prefixed with a ‘Jaani!’ That perhaps explains the inadvertent undertone of authority that crept into his dialogue delivery. And to think that the actor once served in the police force. Maile ho jaayenge!” Even 40 years later, the dialogue rendered by the late Raaj Kumar in Kamal Amrohi’s classic Pakeezah (1972) is listed among Hindi cinema’s most romantic moments. A stranger, a co-traveller, mesmerised by her exquisite feet leaves behind a note, which reads, “Aapke paon. A whistling train dissolving into the brooding night, a slumber-kissed Meena Kumari cradled in it.